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By Sarah Cowan

Best of 2016

We’re away until January 3, but we’re reposting some of our favorite pieces from 2016. Enjoy your holiday!

Photo: Andrew Lampert

Joe Gibbons on his drawings from Rikers Island.

 

Over a forty-year career, Joe Gibbons has become a legend in the world of experimental film. His work so thoroughly wrinkles the cloth woven by art and life that the question of which imitates which becomes moot. In his 1985 film Living in the World, he stars as a working stiff named Joe Gibbons, just trying to make it through the eight-hour day with his dignity intact. Existentially bereft, he laments, “I read the paper and there’s so much going on that I have nothing to do with.” He quits his job and turns to crime to make ends meet.

When the real Gibbons made headlines last year in an unlikely heist story, that same voice was quoted in the papers as evidence of his moral degeneracy and criminal intent. FORMER MIT PROFESSOR “ROBS” BANK, FILMS “HEIST,” the New York Postsaid. And, later, in the New York Times: FILMMAKER JOE GIBBONS GETS A YEAR IN PRISON FOR A ROBBERY HE CALLED PERFORMANCE ART.

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